Fabric Collage Travel Memory Poster

Please transform each travel photo I upload into an individual premium fabric collage memory poster. Each photo should be output separately, not as a multi-photo montage. The overall layout uses a 3:4 vertical composition. The final product must simultaneously feature the clearly identifiable original photograph and a fabric collage re-interpretation of the same scene. The top part retains approximately 46%–52% of the original photo, faithfully maintaining the identity, quantity, posture, architectural structures, mountain/water layers, horizon, roads, water surfaces, real textures, natural light and shadow, and original colors, with only minor color grading similar to travel magazines or art publications. Do not stretch, mirror, change subjects, or turn the photo into an illustration. The bottom part uses warm natural linen, old cotton, or faded fabrics as a base. First, understand the ridges, clouds, buildings, groves, water surfaces, roads, people, animals, or vehicles that truly determine the recognizability of the photo, then compress the complex scene into 4–8 main fabric layers. Reorganize the same scene using faded cotton, coarse linen, denim, plaid, corduroy, old shirt fabric, gauze, and a minimal amount of yarn; each piece of fabric must correspond to the real spatial relationships in the photo, adding no irrelevant decorations. The fabric layers should retain real warp and weft textures, washed-out fading, frayed edges, loose threads, creases, overlapping patches, and slight thickness. Use uneven hand-stitching, overcasting, backstitching, and a small amount of embroidery thread to emphasize subject outlines, ridges, reflections, or direction of movement. Stitches can be hesitant, loose, or varying in density, but do not make it look like a refined craft sample. People and animals should only be summarized with small fabric scraps and stitch marks, maintaining their count, posture, and orientation without depicting facial features. The bottom part adopts a structured secondary composition: the main fabric collage occupies about 58%–76% of the re-interpretation area. It can be shrunk into an independent scene or formed with a few large fabric layers for a strong silhouette; do not simply redo the photo's full framing in equal proportions. Leave at least 25%–40% of continuous visible linen or old cotton empty space around the collage. Colors are extracted entirely from the original photo and softened, prioritizing the retention of the most recognizable color of the location, while the rest are unified into low-to-medium saturation old fabric tones. Do not use fixed patterns like rural floral prints or orange-blue palettes. In the bottom white space, add a 1–3 word English title, a woven label-style number, and a 5–10 word English observation sentence. The title should look like slightly uneven hand-embroidered letters; the label and observation sentence should look like old woven labels or fine-stitch text sewn onto the base fabric, clearly readable at normal preview size. The text must come from the actual visible location, action, weather, or color in the photo; use the scene theme if the location cannot be confirmed, and do not fabricate place names or dates. The overall vibe is warm, quiet, handmade, and nostalgic, like preserved travel memories. Mandatory avoidances: paper collage, torn paper edges, pure felt painting, tufted rugs, crochet dolls, refined embroidery templates, lace buttons, scrapbook clutter, printed photo patches, smooth vector blocks, plastic synthetic fabrics, children's crafts, completely filling the bottom half, fixed sunset color schemes, author names, signatures, logos, QR codes, watermarks, gibberish.